Swimming
Enza Gandolfo

Vanark press
ISBN 978-0-98
03500-2-9

www.vanarkpress.com
distributed by
Dennis Jones and Associates

 

 

NEWS!! Swimming Shortlisted for Barbara Jefferis Award 2010

A meeting with her former husband leads Enza Gandolfo’s heroine back to an unfinished novel written twenty years earlier in which she described the impact on herself and others of her repeated failure to give birth to the daughter of her dreams. Skilfully shifting between the past of ‘Writing Sarah’ and the present, Gandolfo conveys the intensity of Kate’s desire for a daughter, the pain of her failures and the terrible revenge she takes for the destruction of her marriage. The double narrative enables both Kate and the reader to confront and come to terms with the past, to accept that creation takes many forms, as do daughters. This is an empowering examination of the complex impacts of infertility on a woman’s life, as well as the potency of long-term woman-to-woman friendships and long-distance swimming.

Judges report Barbara Jefferis Award

I’d like to congratulate Enza on her beautiful novel...Reading Swimming was a very rewarding experience for me, and I warmly recommend it to you.

Helen Garner - Launch of Swimming

Swimming tackles ideas of maternity, infertility and infidelity with gusto; Gandolfo holds no punches. It is refreshing to read about motherhood and all its associated ambivalences with such candour.

Rebecca Starford
The Age A2 pg21
24th October 2009

Synopsis:

Kate Wilks is a swimmer, a teacher and a writer, but she has never been a mother. She believes she has a good and satisfying life until a chance encounter with her ex-husband and his daughter. Suddenly submerged by a past overflowing with grief, secrets and betrayals, Kate is forced to reassess her life.

Swimming is a lyrical story of one woman’s journey. A novel about loss and survival, friendship and love, creativity and fulfilment, it will resonate with anyone whose life hasn’t turned out as planned.

Set in the western suburbs of Melbourne and on the surf beaches of the Great Ocean Road, Swimming is a novel that negotiates primarily in close-ups, taking the reader into the world of the protagonist, Kate Wilks: a swimmer, a teacher and writer. This is a poignant, emotional and psychological journey of a woman confronting several unplanned changes in mid life - childlessness, sexual betrayal and the desire for creative fulfilment.

Kate is in her early sixties when the novel opens. Kate’s days are divided between swimming, writing, and spending time with her lover George (a biker and journalist, almost fifteen years her junior) and with her friends, especially her best friend, Lynne, who has early onset Alzheimers.

A chance encounter with her ex-husband Tom, propels Kate back into a past cloaked in grief, in secrets and betrayals. From this point, the narrative shifts between Kate’s present life, and her past life partly documented in an unfinished manuscript titled, ‘Writing Sarah’. Written some twenty years ago, ‘Writing Sarah’, begins with Kate’s struggles to have a child. It is an exploration of her emotional state during those years, of her relationship with Tom, of his affair with Kate’s friend Mai, and the breakdown of their marriage. 

Thirty years later a friendship develops between Mai's daughter Leesa and Kate, and so Kate is forced to reassess her past; to think about what it means to be a woman that has never had a child; she is forced to confront the destructive aspects of her own nature.

Swimming is compelling new novel about female friendship, artistic creativity, and unexpected childlessness.

Novelist, Amanda Lohrey wrote: ‘Swimming is a charming and delicate work that very early establishes the weight and authority of voice . . . beautifully paced. There is a steady poise in the telling which I responded to, a mature sympathy that manifests in the writing as an impressive composure. All through there is a quiet conviction of tone, beautifully attuned to the moral and emotional complexities of the subject. The sea is a strong presence within the text…’